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    • Over the past 15 years, UTP has produced nearly 40 distinctive new works. They comprise a wide range of unique collaborations, development processes and art practices. We have provided a selection of our more recent shows for you to browse here, while further information is available in our artistic reports downloadable in the "Company" section of "About UTP". We also have physical archives and resources at our Bankstown office, containing video footage, photography and other materials.


    • A deeply emotional story that takes us through the lives of men coming to terms with their past and facing up to their future, Back Home explores the complex terrain of friendship, culture, manhood and reconciliation.

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    • A thought-provoking eavesdrop on a rich and complex community as real people who wouldn't ordinarily converse are placed side by side at the kitchen table.


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    • Human traffic negotiates super-bright lights, shiny surfaces and booming noise. Idiosyncratic movement intersects with do-or-die recklessness in a performance that is intensely raw and physical.

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    • A spectacular performance event exploring what it means to be Indian in Sydney.



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    • A spectacular performance event. An after-dark world. Pumping rhythms & towers of steel. Flying mechanics & dancing engineers... driving junkyard chariots, sweating sparks, welding their dreams to the sky.

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    • They're back. They're trouble... The sequel to The Cement Garage: fast, furious and physical, a grunge action flick in a flat in the suburbs. Commissioned by Adelaide Festival 2002 and created in residence at The Parks Community Centre.

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    • A powerful show about refugees, their experiences in fleeing their country of origin and in detention in Australia, and our nation's appalling treatment of asylum seekers. Created through a collaboration between theatre makers, refugees and refugee service organisations
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    • A Polynesian gender-bender... an island cruise into the ambiguities of culture, sex and more, (it's all performance) hosted by the "mesmerising" Brian Fuata, directed by Nigel Kellaway. "Can a nice girl like you marry a fa'afafine?"

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