THE FOOTBALL DIARIES

Touring to South Africa in July 2010:
3, 4 July National Arts Festival, Grahamstown
7 July Festival of Hope, Johannesburg
8 - 10 July Market Theatre, Johannesburg

Played at close range, confined in a small space and patterned into something approaching dance, Ratnamohan’s ball skills are enviable and entertaining…His narration is engaging and his observations on the ugly side of the so-called “beautiful game” are acute.
The Sydney Morning Herald

The Football Diaries is a meditation on art and sport in which an engaging personal story merges with new dance, popular culture and contemporary life in Australia and Europe. Ahilan's narrative, drawn from his own journal writings whilst seeking and failing to gain a professional players contract in Europe, combined with his virtuoso football skills, give the audience an insight into an athletes’ experience of space, time and emotion. This is a truly original theatre experience, operating at the level of immediate enjoyment and wonder, with layers of social commentary and even philosophy creating a strong and lasting impression.

The Football Diaries is an engaging cross-disciplinary solo that introduces a fresh new voice to contemporary theatre. Ahilan Ratnamohan, a young Australian/Sri-Lankan footballer makes a direct and complex address to his intimate audience, taking them into a world where dreams and aspirations clash with jarring realities.

Staged in an intimate venue, The Football Diaries set consists of three yellow walls and a white floor. Abstract lines on the floor hint at field-markings. The audience sits on bleacher-type seating. Three footballs, a bottle of water/sports drink and a change of football jersey hanging off a hook. The audience feels the crackle of the large, stadium gaslight. Its glow from the floor at the front of the stage saturates the ‘field’ often throwing multiples of Ahilan’s shadow onto the walls throughout the performance.

Ahil Ratnamohan flings himself into the yellow space to show off his athleticism and skills with the ball. It makes for a dramatic close range spectacle...
The Sydney Morning Herald

Performance Style

Ahilan narrates directly to the audience. There is an intimacy and humour in his telling of the story the performance text moves between biographical narrative, the science of football and Ahilan's own recollection of recent historical football events. Inter-cut with this are movement phrases, an original blend of athletic virtuosity and football skill that create a new form of dance.

The performance is punctuated by video installations. These consist of slow motion archival footage of football hero Johan Cruyff's grace and virtuosity, reiterating Ahilan’s search for beauty. Additional video combines textures and iconic patterns to contrast and augment the archival footage. The video works in synchronicity with audio pieces– at times echoing football crowds and stadium sounds - to evoke tender nostalgia or athletic exhilaration.

Enveloped by sound and video, the experience is one of being on the field, ready for a pass, and part of this unique and moving journey.
Bankstown-Canterbury Torch

Tour Supporters

Fresh Promotions Australia
http://www.freshpromotions.com.au/

Supporters

Australia Council for the Arts, Arts NSW, Bankstown City Council and Spark.

 
 

Director/Devisor
Lee Wilson

Performer/Devisor
Ahilan Ratnamohan

Set & Lighting
Mirabelle Wouters

Sound Artist
James Brown

Video
Lara Thoms & Fred Rodriguez

PREMIER SEASON

Technical Operations
Joshua Emanuel

Production Manager
Neil Simpson

SOUTH AFRICAN TOUR

Technical Operations
Frank Mainoo

Production Manager
Mick Jessop

Tour Manager
Bibi Serafim

 
 

TECHNICAL SPECIFICATIONS

For those interested in presenting a season of The Football Diaries.

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